I get it, but it is still a bit disappointing to see business prioritised over artistic quality in this case. Anime is expensive to make, and Trigger needs to pay its animators so they can eat and have a roof over their head.
#Anime sharing movie
But I suppose a movie or two doesn't make quite as much money as five or six over-priced BluRays would. For something like this, a more briskly-paced movie, perhaps a duology, would have been a better way to compress the story without sacrificing visual quality. But that still does not excuse them creating a story and a cast of characters bigger than they could handle within the allotted time. I suppose it makes sense for something like Kiznaiver to be as short as it is, as Trigger puts a great deal of work and effort into each episode. It is, almost invariably, the quiet moments that stand out the most in a story. It throws a lot at the viewer, but never gives them time to digest it or room for the characters to breathe and relax.
#Anime sharing full
The writers of Kiznaiver know what they are doing and are capable of doing it well, but the problem is that the short episode count prevents these characters from ever realising their full potential. Chidori, as annoying as her scream-fests tend to be, is also pretty representative of how the average teenage girl handles their emotions. Tenga's dialogue in the original Japanese, for example, is fairly natural and feels like something that could come from an actual teenager's mouth. Some characters are more compelling than others. (And I do not only say that because I like twintailed girls named Nico.) It is bit of a waste, given how unique their character designs are. This is about all that characterises them for the entire show. The protagonist, Katsuhira, is also a mopey emo kid who lets people beat him up without a care. Nico is a cute airhead suffering from a variety of mental illnesses (and quite possibly low IQ), while Yoshihara is an extreme masochist who orgasms at the very idea of pain, and exists largely as fuel for shounen-ai fanfiction and doujinshi. There is no one that feels particularly bland (aside from maybe Sonozaki), but a number of them never go much beyond simply looking cool or being weird. They are rich with personality, visually distinct from other characters in anime. Kiznaiver's characters are likely the first thing to catch one's attention. Were it a full two-cours of content rather than the mere twelve episodes it actually is, the result might have been different.
![anime-sharing anime-sharing](https://72705-198323-1-raikfcquaxqncofqfm.stackpathdns.com//wp-content/uploads/2017/05/animesharing.png)
Is an excellent premise that unfortunately never really finds its footing. Kiznaiver tries- it tries ever so hard- but in the end crumbles under its own ambition. There is value here, and Trigger has evidently tried to capitalise upon some of Kill la Kill's prior successes, particularly with regards to its characters.
![anime-sharing anime-sharing](http://koe.anime-sharing.com/wp-content/uploads/2011/07/cov3.jpg)
This should not be taken as an insinuation that all Kiznaiver has to offer is style without substance. But behind Trigger's beautiful visuals, there just isn't a whole lot else besides an extraordinarily average, if somewhat enjoyable anime- one that is certainly a noticeable step down from their previous work, Kill la Kill. Kiznaiver is so stylish and colourful that it is almost blinding. With their fates literally intertwined, the Kiznaivers must expose their true selves to each other, or risk failing much more than just the Kizuna System. These individuals must become the lab rats and scapegoats of an incomplete system designed with world peace in mind.
![anime-sharing anime-sharing](https://static2.srcdn.com/wordpress/wp-content/uploads/2021/07/The-Girl-Who-Leapt-Through-Time.jpg)
However, one day Katsuhira, Chidori, and four other teenagers are abducted and forced to join the Kizuna System as official "Kiznaivers." Those taking part are connected through pain: if one member is injured, the others will feel an equal amount of agony. But their fists only just manage to make him blink, as even emotions are far from his grasp. Now, his muffled and complacent demeanor make Katsuhira a constant target for bullies, who exploit him for egregious sums of money. His friend, Chidori Takashiro, can only faintly remember the days before Katsuhira had undergone this profound change. Katsuhira Agata is a quiet and reserved teenage boy whose sense of pain has all but vanished.